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PICTURING INDIANS: NATIVE AMERICANS IN FILM, 1941-1960
Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakersā choices to follow mainstream representations of āIndianness.ā
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indiansāthe stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studiosā need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to āplay Indianā in postāWorld War II Hollywood.
Hardcover
354 pages
6.25 x 1 x 9.25 inches
ISBN 978-0803296800
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indiansāthe stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studiosā need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to āplay Indianā in postāWorld War II Hollywood.
Hardcover
354 pages
6.25 x 1 x 9.25 inches
ISBN 978-0803296800
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PICTURING INDIANS: NATIVE AMERICANS IN FILM, 1941-1960
PICTURING INDIANS: NATIVE AMERICANS IN FILM, 1941-1960
Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakersā choices to follow mainstream representations of āIndianness.ā
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indiansāthe stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studiosā need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to āplay Indianā in postāWorld War II Hollywood.
Hardcover
354 pages
6.25 x 1 x 9.25 inches
ISBN 978-0803296800
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indiansāthe stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studiosā need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to āplay Indianā in postāWorld War II Hollywood.
Hardcover
354 pages
6.25 x 1 x 9.25 inches
ISBN 978-0803296800
$50.00
PICTURING INDIANS: NATIVE AMERICANS IN FILM, 1941-1960ā
$50.00
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakersā choices to follow mainstream representations of āIndianness.ā
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indiansāthe stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studiosā need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to āplay Indianā in postāWorld War II Hollywood.
Hardcover
354 pages
6.25 x 1 x 9.25 inches
ISBN 978-0803296800
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indiansāthe stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studiosā need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks considered authentically Indian by non-Indians. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, Black has crafted an interdisciplinary experience showcasing what it meant to āplay Indianā in postāWorld War II Hollywood.
Hardcover
354 pages
6.25 x 1 x 9.25 inches
ISBN 978-0803296800





















